Il Viaggio, Dante in Aix-en-Provence: the issues of life

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Aix-en-Provence. Grand Theater of Provence. July 15, 2022. Pascal Dusapin (b. 1955): Viagio, Dante, opera in seven scenes to a libretto by Frédéric Boyer, based mostly on La Vita Nuva and Dante’s Divine Comedy (world premiere). Path and choreography: Klaus Guth. Units: Etienne Pluss. Costumes: Gezine Velm. Lighting: Fabrice Quebourg. Video: rock movie. With: Jean-Sebastian Bu, baritone (Dante); Evan Hughes, bass-baritone (Virgilio); Kristel Lech, mezzo-soprano (Giovanni Dante); Jennifer France, soprano (Beatrice); Maria Carla Pino Curie, soprano (Lucia); Dominique Wyss, countertenor (Voce dei dannati); Giacomo Prestia, bass (Narrator). Choir (choir director: Richard Wilberforce) and Orchestra of the Opéra de Lyon, director: Kent Nagano

Pascal Dusapin staged by Klaus Guth: in the direction of globalist views resurrection and from Moses and pharaoh adopted by an thrilling dive into the innermost.

Comedy (inducted Divine after the demise of Dante Alighieri simply 700 years in the past) in 1 hour and 45 minutes: Pascal Dusapin and his librettist Frédéric Boyer did it! They even added excerpts from New life, the primary real work by an Italian poet. And with out getting misplaced in the dead of night forest of two accomplices, Klaus Guth managed to provide a powerful readability to this iconic poem of a whole nation.

Not with out questions, we ventured to disclose the eleventh opera by Pascal Dusapin, whose earlier lyrical opuses declared their refinement, their hyper-technicality, but in addition their lack of urge for food for allegro, their melodic impotence, though that is the final level, within the third circle of hellJourney, Dantethere’s a new hope. Comedy, Faust, The Final Evening, Ardour : Pascal Dusapin circled across the monument for a very long time. Journey, Dantemuch less howling wave than Penthesileabegins in the identical approach, with an extended delay, paying homage to Prelude from L’Or du Rhine. In contrast to this Wagnerian pinnacle, which can also be a prelude to a world in movement, Journey, Dante won’t get out of the tempo of the immobile path. A journey was a session of collective hypnosis by the magic of a magician named Klaus Guth.

The nice German director makes an Orphic hero (as Pascal Dusapin fairly rightly calls him) who goes searching for the lacking Beatrice, a person who bought misplaced within the forest of his recollections after he crashed right into a tree whereas drunk whereas driving his automotive. A metaphorical wandering begins between the room and the forest, the Hell of regrets, the Purgatory of conferences and the Paradise of recollections. It’s stated that all the things in life passes within the human mind on the method of the final breath. Like him Don Juan for Salzburg, Dante Guta is progressively drained of blood. We progressively perceive that this particular person is between life and demise. Like a hero issues of life, a shocking masterpiece by Claude Sautet, Dante Guta is a dying man. Presumably fulfilled (” O pleasure! O unspeakable pleasure! oh all life love and peace completes the brochure). Undecided…

Journey, Dante It has Prologue and 7 footage: Departure, Tune of Sorrow, Limbo, 9 Hells, Exit from Darkness, Purgatory, Paradise. The present is offered by the narrator, whose sequins fall on the curtain of the cabaret stage. In a short time, pictures of nice magnificence seem within the ingenious decor of Étienne Pluss: the plush inside of the hero, increasing like a film display; the hallway of the Underworld with well-suffered sufferers (remarkably directed extras); the spectacular transition of the mirror to the well-known 9 circles, represented by the very disturbing smiles of two gents of the Devoted, and inhabited by a really scary double of Beatrice, embodied by the priceless Dominique Wyss, with sparse and grey hair, extra squeaky than ever, in the identical voices of all of the damned; an immense black and shifting canvas, absorbing all the things that passes inside its attain … The area, first allotted to the railing, deepens right into a darkish forest of fir timber (the very one the place Intestine dragged his dying Don Juan), earlier than redrawing the room the place Dante will die after the reminiscence of Beatrice dissipates in a crack within the wall. A bed room whose shifting wallpaper owes all the things to a rock video and lights by Fabrice Quebourg.


Dante on the finish of his life permits Jean-Sebastian Bow, a formidable bodily and vocal contribution, after excessive levelto finish the constant gallery of tortured characters wherein he excels. Dante on the daybreak of his life (Giovan Dante) is entrusted to the luxurious mezzo Christel Lech (she was from Penthesilea and from Underworld of Macbeth): an excellent concept than this two-headed Dante to grasp the complexity of the character. At each ends of the work, Jennifer France embodies Beatrice with nice radiance. Saint Lucie (surrounded by a halo of sunshine and renamed Lucia) advantages from Marie Carla Pinot Curie’s harsh and edgy coloratura. The hero’s companion, Evan Hughes’ hunk Virgil struggles to interrupt via sure partitions of sound. the French opera is sung and even pronounced in Italian (Giacomo Prestia, a current Verdian in Good, as grasp of ceremonies, speaks on the microphone a couple of phrases torn from an ideal work), Journey, Dante additionally ceaselessly invitations a choir whose behind-the-scenes contributions spotlight its dreamlike dimension. It’s addressed to an orchestra of forty instrumentalists (together with two luxurious stowaways: an organ and a glass harmonica), whom Kent Nagano’s all the time exact wand transforms right into a mesmerizing reservoir of sounds. The power of the Lyon Opera in its potential to maneuver from sooner or later to the following, from Rossini to Dusapin, is spectacular on this seek for the “newness of sound” that Dante speaks of in his “Paradise” however which can also be a composer when he speaks of his “operatorio” .

Dusapin’s different ambition (to inform a historic story), versus Klaus Guth’s (to inform a narrative), offers start, in opposition to all expectations, to a night adopted by even those that don’t want the composer’s fashion, like the most effective of the most effective. motion pictures are tense. What successJourney, Dante or, lastly, the chance to pay homage, by means of a essential parallel, to festivals that, in opposition to all odds, pose as defenders of essentially the most usually trampled standing of the lyrical world. Bayreuth 2021 (Koski, Kratzer, Chernyakov), Aix 2022 (Castelucci, Kratzer, Intestine): opera in such good fingers is extra related than ever in our time.

Picture credit score: © Monika Rittershaus

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Aix-en-Provence. Grand Theater of Provence. July 15, 2022. Pascal Dusapin (b. 1955): Viagio, Dante, opera in seven scenes to a libretto by Frédéric Boyer, based mostly on La Vita Nuva and Dante’s Divine Comedy (world premiere). Path and choreography: Klaus Guth. Units: Etienne Pluss. Costumes: Gezine Velm. Lighting: Fabrice Quebourg. Video: rock movie. With: Jean-Sebastian Bu, baritone (Dante); Evan Hughes, bass-baritone (Virgilio); Kristel Lech, mezzo-soprano (Giovanni Dante); Jennifer France, soprano (Beatrice); Maria Carla Pino Curie, soprano (Lucia); Dominique Wyss, countertenor (Voce dei dannati); Giacomo Prestia, bass (Narrator). Choir (choir director: Richard Wilberforce) and Orchestra of the Opéra de Lyon, director: Kent Nagano

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